Interphotography
In photography
The card is cut into two symmetrical parts. On the left there is Coisel’s photograph, on the right Badin’s painting. In the middle, in the interpictorial–interphotographic field, the tree might be causing another reality to transpire on the horizon, of which the consciousness takes a photograph; this is why it is interphotographic. For their part, the children facing the wall are the reflexion of the photographed reality, captured as an image by the consciousness.
The Interartistic Phenomenon through Montaigne’s Essays, Peter Lang, Bern, 2018, ISBN: 978-3034333177, p.118
In painting
Photography also appears in paintings, as in Robert Rauschenberg’s work– Tracer (1964). Above, a photograph of Rubens’ 1613 painting “The Toilet of Venus” is reflected in different tones from those of the painting itself. The interpictorial effect is reinforced by the photograph of the interior painting. So the relationship also becomes interphotographic. Thus the photograph and the painting are interchangeable interartistically:
painting / photography – photography / painting.
Translation in English
Интерартистичният феномен през « Опити » на Монтен и « Мобиле » на Бютор, « Каталонската градина » на Бютор и Баден…, Пространство & форма, София, 2007, [The Interartistic Phenomenon Across « The Essays » of Montaigne and « Mobile » of Butor, « Catalonian Garden » of Butor and Badin…, Prostranstvo & forma, Sofia, 2007], ISBN: 9789548500050, p.227
The autumn tree…
Sentence by Michel Butor, painting by Georges Badin
Photograph by Eric Coisel