header2

Interarchitecturality

In literature

The Essays themselves evoke in their content the architectural form in the second degree. It is this sense that we can speak of an interarchitectural level in the apprehension of Montaigne’s work. If we borrow the configuration of the sign from Hjelmslev we could see the text as the living tower evoked by the cover of the 18th century London version of the work. This frontispiece establishes the analogy between the book and the monument as a site of memory.

The Interartistic Phenomenon through Montaigne’s Essays, Peter Lang, Bern, 2018, ISBN‏: ‎ 978-3034333177, p 216

Reproduction of the cover of the London edition of Montaigne’s Essays, Michel Eyquem de Montaigne, “The Essays”, 3rd edition, London, 1632.

In architecture

The church’s splendid interior makes it an exemplary work of art, where all the arts intermingle. The years 1230-1240, which were particularly fertile in terms of innovative architectural creativity, marked the birth of the Radiant Gothic style. The blossoming of artistic activity at this time is expressed in the polychrome sculptures and medallions in the Sainte-Chapelle, as well as in the stained glass windows. Generally speaking, there was a taste for miniaturising forms, which led some artists to describe the art of this period as “Mannerist”. This trend is particularly true of architecture, where appearances really do affect all the arts. In the 13th century, architecture became more closely integrated with painting than ever before. One of the most eloquent examples is undoubtedly the Psalter of Saint Louis, whose miniatures are filled with pediments, roses and spires taken directly from contemporary building sites. In addition to the framing system for the miniatures, architectural motifs can be found on a number of gold caskets. The fascination is such that today we speak of the “architecturalization” of the arts. The juxtaposition of the architecture of the Reliquary and the church reveals an interarchitecturality.

Translation in English

 

„Интерархитектурност в семиотиката на Сент-Шапел“, [“Interarchitecturality in the semiotics of the Sainte-Chapelle”]- Text presented at the Institute of Literature – Bulgarian Academy of Sciences, Scientific Forum: ‘Literary metamorphoses – between life and text’, 16 May 2022, Vassilena Kolarova

The Sainte-Chapelle, the Upper Chapel, view towards the choir and the Grande Châsse